“I entered the digital photography world in 2002 with a 3.2 megapixel camera and wondered how I could make more pixels with the device. Began multi-imaging the landscape and stitching images back together as one super large file. This has led to a constant search for pixel-based interpolations where the vital hero is the pixel itself. With this series “Ritchie Pix, I have exploded fine detail of comic books into the spectrum of absolute abstraction of line and colour, unique in the terms of manual control, pushing the computer to interpret the values of the line and colour blends.”